On Friday night, multi-Grammy Award winner Adele headlined at London’s BST Hyde Park Festival, taking the stage in front of a live audience for time in five years. For the momentous occasion, Adele wore an absolutely stunning Schiaparelli gown. The floor-length black velvet dress had long sleeves with shoulder cutouts and a halter neck. It was cinched at the waist with a gold belt, and glittering fabric made up the skirt under the splitting bodice.

The singer’s hair was swept into an elegant updo with a few delicate tendrils around her face. She was wearing star-shaped gold earrings covered in pearls, and a gold ring in a bow shape. For make up, she wore her classic cat eye liner with a some shimmering eyeshadow for a little more of a glam touch.

The night was an emotional one for Adele, and Page Six reports that she she was overcome before even finishing her first song.

“My God, I’m back at home,” she told the audience of 65,000 people. “It’s so strange to be in front of a crowd again. I get so nervous before each show but I love being up here.”

Adele’s set was two hours long and included her newer tracks “Easy On Me,” “Oh My God,” and “I Drink Wine.” But she was very attentive to the audience throughout. Many had stood out in the heat for hours to attend the show, and Adele stopped the concert four times for concertgoers who needed medical attention.

At one point, the music icon revealed that she was swearing black anti slip socks under the her gorgeous dress.

“I was told it was going to be slippery so wore these just in case,” she told the crowd, before continuing on with the show.

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Responsibilities:
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● Participation in general inventory management
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Requirements:
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Our ideal candidate is available full-time and available for immediate hire. Please email your resume and cover letter with the subject line “Sales Associate” to careers@wwake.com.

The show — loosely broken into sections like architecture, music, design, and fashion —  still holds the clothing racks full of pieces from Abloh’s first fashion venture, Pyrex Vision, and the Milan-based label that he founded in 2013, Off-White. There is still the striped dress Abloh created for Beyoncé’s 2018 Vogue cover shoot (it didn’t appear in the magazine). There is still the Nike shoe display from when the sportswear giant enlisted the multidisciplinary creative to redesign 10 of its most famous footwear styles in 2017. Yet, unlike typical exhibits, there is barely any signage accompanying the pieces, as if inviting viewers to be a “tourist or a purist,” a point of view that Abloh employed during his design process. Depending on how much you know about Abloh, or whether you want to consult the brochure the museum hands you upon entry or make your own assumptions about the items displayed, you can land in either of the camps.